25/26 Repertoire Analysis

When to expect the joke with the corduroy trousers? This question lies at the centre of the 25/26 repertoire analysis. Many viewers who want to catch the state theatre’s box-office hit (seat occupancy reminiscent of GDR election results) once again in the upcoming season already know: Here, the tried and tested is put back on the stage – an act of downright national importance, especially in times of disruption and AI. The concept of the evening has been reliably retained, with well-worn texts from olden times spruced up with new dates in the title. During the first 20 minutes of the frontal presentation in simple language, topicality is once again skillfully simulated, mainly through sophisticated name-dropping from the fields of culture, sport and politics. Private insolvency and imprisonment are increasingly moving into the spotlight, as state elections are imminent in Baden-Württemberg. But of course - the theatre's repertoire also takes up generous space. In the last few minutes of the evening, play titles and artists' names are traditionally rattled off, often with a certain breathlessness as a bridge to the frenetic final applause. Long-time subscribers are deeply moved by the way this PROJECT manages to reflect contemporary authors (m/f/x) and classical writers (m) within a post-economic narrative and discourse free of domination.

All systems fail

PS: The grand piano will remain on the stage.
– Harald Schmidt

PPS: On 26 June there will be a special edition of the 25/26 repertoire analysiswith Cornelius Meister: A look back at eight masterly years.
– Schauspiel Stuttgart